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The Tunisian Stage: Shakespeare's Part in Question

Rafik Darragi

Abstract

Last March, a well-known Tunisian critic wondered about the

motivations that had led Mohamed Driss, the head of the Tunisian

National Theatre and one of the greatest directors in the country, to

direct a Shakespeare play:

What is today the purpose of reproducing a Shakespearean tragedy,

when all over the world directors are desperately searching for new

creative ways, new means for attracting a public who is more and more

disinterested by the theatre?

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