This article compares and contrasts liberal democracy and national democracy. It attempts this by focusing on each of these as specific state forms with an effectivity or 'tilt' of their own which includes a determinate preconstruction of the category of the People. It is argued, inter alia, that internal to national democracy is a conception of colonialism (and anti-colonialism) and that the national-racial reference is thus internal to the national democratic conception of equality. In conclusion it is proposed that the tilt of a state form is expressed via the distinction of grammatical mood between the imperative and the subjunctive and that the 1994 South African Constitution, when read in this way, is more liberal democratic than national democratic.
Over the last decade, an increasing number of documentaries and fictional films broadcast on German television has established an image of German colonialism that claims to be informed by postcolonial criticism but, as I argue in this article, often resembles the image created by colonialism itself. Das Weltreich der Deutschen (The Global German Empire, 2010), a documentation produced by Guido Knopp, serves as an example for the close connection between practices of representation and colonial fantasies, and demonstrates how the combination of entertainment and education obscures the fact that colonialism has been not only a practice of political domination and economical exploitation, but also a practice of representation.
Fanny Colonna, Le Meunier, les moines et le bandit: Des vies quotidiennes dans l’Aurès (Algérie) du XXe siècle (Paris: Actes Sud, 2010).
Fanny Colonna, La Vie ailleurs: Des “Arabes” en Corse à la fin du XIXe siècle (Paris: Actes Sud, 2015).
This article examines the role played by the nòva cançon occitana (new Occitan song) in disseminating post-1968 regionalist ideologies, particularly the contention that Occitanie constituted an “internal colony” of France. While both the nòva cançon and the internal colonialism thesis proved instrumental in advancing the Occitanist cause, they also raised intractable problems. The depiction of Occitanie as a colonized territory consolidated a fragile sense of regional identity, but in so doing demanded that individuals repress the French dimensions of their identity. In addition, nòva cançon performers did not simply convey regionalist ideals through music, but were compelled to embody these ideals in their behavior, ideological stance, and self-presentation. To illuminate such tensions, the article considerers the controversy triggered when one Occitan singer-songwriter, Joan Pau Verdier, signed with an international label, thereby opening himself up to charges of having betrayed the Occitanist cause.
In order effectively to decolonise Africa we need to understand better the economic and political effects of colonialism in and on Africa today. To achieve that understanding we need to look beyond the tired, well-trodden themes in African historiography and political theory. Liberalism, communism, African and Afrikaner nationalism, localised cultural and social histories and related ideological conflicts of identity have failed to grasp and explain the relations of power that continue to operate at the level of economics, finance, education, war and politics. These factors have not adequately been thought through theoretically, precisely because they are treated as inevitable material circumstances separate from the longue durée of justifying ideas, enduring practices and relations of power and the persistence of institutions even, in many cases, sixty years after independence from colonial rule.
The concept of internal colonialism h as been used to frame studies of marginalized populations exploited by the dominant or majority population. Brazil’s regional inequalities have gained notoriety, as wealth tends to be concentrated in the southern regions, while poverty is most rampant in the north and northeast. Inequality in Brazil is connected to geographic region and related to complex factors such as race, ethnicity, color, kinship, and class, and is deeply rooted in Brazil’s colonial history. Using data from in-depth, qualitative interviews with seasonal sugarcane workers, this article argues that the inequality that motivates their migration pattern is rooted in internal colonialism. These temporary labor migrants travel from northern and northeastern states to the cane fields of São Paulo, where labor demands are high and they face many of the challenges that international labor migrants encounter, including discrimination, poor wages, and inhumane working conditions.
A section of the controversial 2005 exhibition La Mémoire du Congo at the Musée Royal de l'Afrique Centrale in Brussels, Belgium, raised the sensitive topic of the nature of the photographic evidence of Belgian atrocities. The curatorial slant on the photographs suggested that the knowledge that photography imparts may be based on belief rather than evidence; and that meaningful knowledge of the photographic referent is based on a relational act which establishes identity, that of recognition of the other. This ethical act runs counter to colonial ideology, and later representations of Belgian colonialism, such as Hergé's Tintin au Congo (1931 and 1946) discussed here, display tensions in their portrayal of imaging which are linked to these founding queries over the meaning of photographic representation in a colonial context.
This article reconstructs the evolution of the representation of Italian colonialism in history textbooks for upper secondary schools from the Fascist era to the present day. Textbook analysis is conducted here in parallel with the development of Italian historiography, with special attention being paid to the myth of the "good Italian", incapable of war crimes and violence against civilians, that has been cherished by Italian public opinion for a long time. Italian historians have thoroughly reconstructed the crimes perpetrated by the Italian army both in the colonies and in Yugoslavia and Greece during the Second World War, and this issue has slowly entered history textbooks.
Julia A. King
Legacy collections are an increasingly valued source of information for researchers interested in the study and interpretation of colonialism in the Chesapeake Bay region of North America. Through the reexamination of 34 archaeological collections ranging in date from 1500 through 1720, researchers, including the author, have been able to document interactions among Europeans, Africans, and indigenous people in this part of the early modern Atlantic. We could do this only because we turned to existing collections; no single site could reveal this complex story. This article summarizes the major findings from this work and describes the pleasures and challenges of comparative analysis using existing collections. Collections-based research can also be used to inform fieldwork, so the legacy collections of tomorrow are in as good shape as possible. Indeed, collections-based work reveals the need for a critical dialogue concerning the methods, methodology, and ethics of both collections- and field-based research.