Competitive funding by the European Union for community projects in Northern Ireland operates according to a political logic in which some groups and projects (deemed progressive, modern and generally secular) are prioritised, while others (discursively positioned as anachronistic, traditional and religious) are precluded. In this process, EU processes of statecraft seek to instrumentalise grassroots organisations as means to the many ends of a disenchanted, modern EU federation. In turn, overtly religious groups (among them churches, parachurches, and confraternities of various kinds) adapt to these conditions by instrumentalising EU processes and goals to the general end of securing a future place for religiosity in the 'new' Northern Ireland. This paper discusses the intersection of religious objectives and ideologies with that of European modernism in the context of two organisations: the Orange Order and the Divine Fellowship Congregation (DFC). Speci fically, I argue that both associations have developed distinctive forms of practice (the 'Orangefest' and 'Utopia' projects, respectively) that re-conceive what is possible for modern EU-funded initiatives. This adaptation has implications for both sets of institutions, in that each is transformed through articulation with the other.