Author:
Larissa Mellor Independent Scholar larissamellor@gmail.com

Search for other papers by Larissa Mellor in
Current site
Google Scholar
PubMed
Close
Restricted access

Abstract

This article explores the relationship between my cultural inheritance and its impact on my work as a visual artist. Questions in the work related to language and geography are tied to my lived experience. These themes led me to explore the contemporary context of German clubs in the United States. I found the art process of collage – cutting and pasting to rearrange parts on a surface – to be an apt visual for the position of the German clubs today, arriving at the term ‘collaged culture’. Similarities between visual art and life reveal that both carry histories. By investigating the relationships between these, we can better perceive the current state of the work of art.

Contributor Notes

Larissa Mellor, Artist, Brooklyn, NY. E-mail: larissamellor@gmail.com

  • Collapse
  • Expand

Anthropological Journal of European Cultures

(formerly: Anthropological Yearbook of European Cultures)

  • Adams, W. (1993), ‘Likes Attract! German Clubs and the Public Display of “Germanness”’, in The German-Americans: An Ethnic Experience (Indianapolis: Max Kade German-American Center, Indiana University), <http://maxkade.iupui.edu/adams/chap5.html> (accessed 10 April 2016)

    • Search Google Scholar
    • Export Citation
  • Bungert, H. (2016), Festkultur und Gedächtnis: Die Konstruktion einer deutschamerikanischen Ethnizität, 1848-1914. Studien zur Historischen Migrationsforschung, Bd. 32 (Paderborn: Schöningh).

    • Search Google Scholar
    • Export Citation
  • Byron, R. (1998), ‘Ethnicity and generation. On “feeling Irish” in Contemporary America’, Ethnologia Europaea 28, no. 1: 27-36.

  • Cannstatter Volksfest Verein, ‘Our History’, <http://cannstatter.org/history/> (accessed 4 June 2016).

  • Cixous, H. (2006), Ex-Cities (Philadelphia: Slought Foundation and University of Pennsylvania).

  • Foucault, M. (1986), ‘Of Other Spaces: Utopias and Heterotopias’, Diacritics 16, no. 1: 2227

  • Kluge, C., K. Kurdylo, M. Louden and A. Petty (2005), How German is American? (Madison, WI: Max Kade Institute).

  • Lippard, L. (1997), The Lore of the Local: Senses of place in a multicentered society (New York: The New Press).

  • Madison Männerchor (2016), ‘Survey on the Preservation of Heritage by German Clubs in America’, unpublished manuscript.

  • Trachten Erhaltungs Verein Edelweiss (2016), ‘Survey on the Preservation of Heritage by German Clubs in America’, unpublished manuscript.

    • Search Google Scholar
    • Export Citation
  • Porter, E. (2014), ‘Harvest Haus—In My Opinion’, 7 October, <http://www.westcoastgermannews.com/harvest-haus-opinion/> (accessed 21 September 2017)

    • Search Google Scholar
    • Export Citation
  • United Donauschwaben of Milwaukee (2016), ‘Survey on the Preservation of Heritage by German Clubs in America’, unpublished manuscript.

    • Search Google Scholar
    • Export Citation
  • Wolfram, R. (1951), Die Volkstänze in Österreich und verwandte Tänze in Europa (Salzburg: Otto Müller).

Metrics

All Time Past Year Past 30 Days
Abstract Views 1035 524 85
Full Text Views 28 7 0
PDF Downloads 31 8 0