Hope and Sorrow of Displacement

Diasporic Art and Finding Home in Exile

in Anthropology of the Middle East
Author:
Mediya Rangi University of Melbourne mrangi@student.unimelb.edu.au

Search for other papers by Mediya Rangi in
Current site
Google Scholar
PubMed
Close
Restricted access

Rushdi Anwar is a Kurdish artist in exile who references his personal experiences of genocide, situated within the modern history of his homeland, Kurdistan, to reflect on the region’s sociopolitical issues. His conceptual art demonstrates that exilic consciousness may be articulated and continuously developed through diasporic artistic expressions. Rushdi’s artwork installation ‘Irhal [Expel] – Hope and Sorrow of Displacement’ (2014–2015) aims to draw attention to the commonalities of human experience by narrating the journey from sorrow to hope. It invites audiences to understand displacement from a common perspective, the search for a safe home. Through a Deleuzian lens, this article explores Rushdi’s nomadic journey by looking at his diasporic artwork that connects the Australian context with the global crisis of conflict and displacement.

  • Collapse
  • Expand

Metrics

All Time Past Year Past 30 Days
Abstract Views 921 366 52
Full Text Views 44 11 0
PDF Downloads 52 8 0