Editorial

Anglo-Irish Writing

in Critical Survey

In this issue of Critical Survey we present a selection of essays which demonstrate a range of critical approaches to a variety of material within Anglo-Irish writing. The recalcitrant traditionalism that previously marked this arena has long gone, replaced now by a broadly analytical approach. Likewise, the traditionally established and highly selective, mostly male canon of Anglo-Irish writing has been replaced by a more inclusive arena and these articles represent the diversity of scholarship and research across this expanded area. One of the most significant changes within Anglo-Irish criticism in the last decade has been in the volume of attention given to women writers. Several essays here focus on women’s writing, recognising Irish women writers’ legitimate inclusion across a range of genres. Kathy Cremin examines the disparity between Irish women’s increased opportunities in terms of determining their own lives and the elisions and ambivalences regarding these at the heart of Patricia Scanlan’s best-selling fiction. Helen Kidd explores the particular poetic strategies of three of Ireland’s leading women poets, Naula Ní Dhomhnaill, Eileán Ní Chuilleanain and Eavan Boland. Mary King couples the plays of J. M. Synge and one of Ireland’s leading contemporary playwrights, Marina Carr, in a timely exploration of the treatment of ‘the other’ in Irish drama.

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