Thirty years after its publication in 1978, a reconsideration of Edward Said’s Orientalism invites a shift from contextual and colonial discourse analysis towards a renewed attention to ambiguities of form and structure. The central point of interest of this special issue, ‘Re-Imagining the Victorian Orient’, hinges upon close readings of canonical and noncanonical texts, side by side, in order to highlight the complexities of Victorian literary culture that earlier readings often threatened to deny. The analyses comprise discussions of travel writing as well as of fiction from the 1830s up to the 1920s, covering what is commonly considered the height of imperialism. What brings the essays in this special issue together is the project of opening up the question of the Victorian Orient as a concept and a literary topos, based upon, but also beyond the critical tenets of Orientalism. While this project is rooted in literary history and the history of representation, its main emphasis firmly rests on a ‘texting’ of the Victorian East: an emphasis on genre, aesthetics, and structural metaphors. This collection is held together by the places it foregrounds as much as by this critical redirection towards textual analysis. Divided into two parts, it reads women’s travelogues covering the Middle East, South, and South East Asia, comparing and contrasting them with the ‘notorious’ colonial novels of Dickens, Conrad, Kipling, and Forster.