Purchase this article
USD $22.00
In this paper I argue that Muldoon’s recent Horse Latitudes (2006) rereads, in a way that corrects our misreadings, images of horses and horse-related images in his work, and that from this self-reading another Paul Muldoon emerges: the postmodern ironist we think we know will here give way to a poet of abjection and of ‘abject’ political sympathies, a figure it turns out was there all along.