This article looks at the sub-genre of apocalyptic science fiction and explores the ways that a range of contemporary writers engage with natural, climatic disasters and the damage wrought to the planet in the Anthropocene era. The novels under discussion are Maggie Gee's The Flood and The Ice People, Adam Roberts's The Snow, Stephen Baxter's Flood and Stephen Jones's creative compilation Zombie Apocalypse. The novels are analysed as examples of revelatory eschatological and apocalyptic literature that implicitly borrow from canonical religious writings of the past. The article analyses the apocalyptic narratives as predictors of both the end of the world and the coming of a new age. It focuses primarily on the novels' relationship to apocalyptic discontinuity and to end-of-the-world scenarios that are predicated on the forces of nature.