Telmah Thel

The Hustle-Bustle of a Hindi Romeo and Juliet

in Critical Survey
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  • 1 Ashoka University
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This article builds on Terence Hawkes' 'jazz' reading of Hamlet to suggest ways in which music can shed light on radical aspects of Shakespeare's theatrical and linguistic craft. Turning specifically to Hindi cinema and the convention of the 'item number', the article considers the latter's translingualism and how it can help us understand the relations between Shakespeare's own polyglot language and the border-crossing nature of desire in Romeo and Juliet.


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