This article examines Robert Browning's and Henry James's writings to consider their responses to, and implication in, the production, circulation, and consumption of late nineteenth-century celebrity. For James, there were two Brownings – the private, unknowable genius and the social personality. From the time he first met Browning until 1912, James held to this theory in letters, essays, biography, and fiction; the Browning 'problem' became integral to James's fascinated engagement with other problems at the heart of celebrity culture. Both writers attacked celebrity discourses and practices (biography, interviews, literary tourism) that constructed the life as a vital source of meaning, thus threatening to displace the writer's work as privileged object of literary interpretation. Browning preceded James in insisting that the separation of public and private life was foundational to an impersonal aesthetics, and in exploring the fatal confusion between art and life that has been identified by theorists as central to celebrity culture.