Reading Friedrich Hayek’s late work as a neoliberal myth of the state of nature, this article finds neoliberalism’s hostilities to democracy to be animated in part by a romantic demand for belonging. Hayek’s theory of spontaneous order expresses this desire for belonging as it pretends the market is capable of harmonizing differences so long as the state is prevented from interfering. Approaching Hayek’s work in this way helps to explain why his conceptions of both pluralism and democracy are so thin. It also suggests that neoliberalism’s assaults upon democracy are intimately linked to its relentless extractivism. Yet the romantic elements in Hayek’s work might have led him toward a more radical democratic project and ecological politics had he affirmed plurality for what it enables. I conclude with the suggestion that democratic theory can benefit from learning to listen to what Hayek heard but failed to affirm: nature’s active voice.