Childbirth during the COVID-19 Pandemic
An Analysis of Fødselen [The birth] by Norwegian Cartoonist, Blogger, and Nurse Hanne Monge Sigbjørnsen
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Abstract
This article provides a close reading of Fødselen [The birth], a powerful and provocative comic by cartoonist, blogger, and nurse Hanne Monge Sigbjørnsen aka Tegnehanne in which she depicts her own negative experiences with childbirth during the COVID-19 pandemic. I first place Fødselen in a historical and sociocultural context, highlighting how Tegnehanne draws on the legacies of Nordic feminist comics, participating in recent trends such as COVID-19 comics and graphic reproduction, and tapping into central feminist debates in contemporary Norwegian feminist activism. I then discuss the complex and engaging ways in which Sigbjørnsen depicts the pain of labour and how Fødselen gives important insights into the negotiation of touch in obstetrics during the COVID-19 pandemic.
Contributor Notes
Adriana Margareta Dancus is a professor at the University of South-Eastern Norway. Dancus's research positions itself at the crossroads of gender, ethnicity and affect studies, with a focus on contemporary Norwegian film and literature. Recent publications include the monograph Exposing Vulnerability: Self-Mediation in Scandinavian Films by Women (Intellect Books, 2019) and the co-edited volume Vulnerability in Scandinavian Art and Culture (Palgrave Macmillan, 2020). ORCID: