Author:
Brigitte Humbert Middlebury College

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“Screening France” in America takes several forms: American films that take place in France or use French people as their central characters, French films released in the US, and American remakes of French films. Since American remakes of French films usually become full-fledged American movies, and French films are often re-edited before being shown on American screens, all forms tend to display the same characteristics, often determined by the American cinematic taste for romance, a clear separation between good and evil, and a preferably happy ending that will gather all the loose ends. Though such characteristics may satisfy moviegoers’ instinctive longings for romance, happiness and clear-cut morals, this taste was reinforced and legitimized during the Production Code and studio system era (from the 1930s through the 1950s).

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