In the last ten to fifteen years, at least twenty personal narratives and sets of essays have appeared, recounting attempts by Americans to fit in, to belong at some level in France. These texts, of which Adam Gopnik’s Paris to the Moon is probably the best known, have by now become a full-fledged genre, one that appears, moreover, to be more prominent on France than on any other country or culture, with Italy/Tuscany as the only competitor. Two became bestsellers (Gopnik and Sedaris) and a third (Kaplan) was a National Book Award finalist. Nor is this an isolated phenomenon, as Carolyn Durham demonstrates in the area of fiction elsewhere in this issue.