This article examines independent cinematic images of the Paris banlieue from the late 1990s to the present. Independent commercial and television films, documentaries, and amateur movies provide evidence of the changing representation of the Paris suburbs, and the shift from a spectacularized landscape of brutality to a more nuanced rendering of suburban life. It treats independent cinematic readings of the banlieue as related to the romanticized and touristic portrayal of central Paris.