Fanfic'ing Film

Queer Youth Cinema Reclaims Pop Culture

in Girlhood Studies
Author:
Andrew Scahill CU Denver Andrew.Scahill@ucdenver.edu

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Fairy Tales Film Festival 2018, Calgary Queer Arts Society, Youth Queer Media Program

For the study of youth in cinema, we, as scholars, must always remind ourselves that most images we analyze are created by adults representing youth, not by youth representing themselves. As such, they represent an idea of youth—a memory, a trauma, a wish. They are stories these adults tell themselves about what they need youth to be in that moment. Coming out becomes the singular narrative of queer youth, and positions adulthood as a safe and stable destination after escaping the traumatic space of adolescence. The stories in these films provide important moments for adult queers to “feel backward” (2009: 7) as Heather Love says, and to process the pain of a queer childhood. And for young people exploring their sexuality, these stories are essential for at-risk youth who feel hopeless, trapped, or alone.

Contributor Notes

Andrew Scahill is an Assistant Professor of film studies at CU Denver. He is the author of The Revolting Child in Horror Cinema: Youth Rebellion and Queer Spectatorship (2015). Email: Andrew.Scahill@ucdenver.edu

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Girlhood Studies

An Interdisciplinary Journal

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