French writer Guillaume Dustan sparked rampant controversy in the 1990s and early 2000s because of his views on barebacking—practicing unprotected sex—as an irresistible prohibition and a duty to his serostatus. In Oeuvres I, a collection of three novels, all published between 1996 and 1998, Dustan explores his seropositivity through a text engorged with pleasure, sadomasochism, and desire. I contend that, in the encounter with the phallic text, the reader engages in an act of linguistic barebacking, taking in the author’s raw language as it becomes a site for erotic power and reproductive seropositivity. I will consider the seropositive text as a body that resists the latex, that cruises an unidentified reader, and that unapologetically penetrates them with the erotic qualities of its language.

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