This article examines how Central American migrant and refugee youth imagine forms of sanctuary through collaborative artwork as part of a series of Arte Urgente (Urgent Art) workshops led by artist Caleb Duarte. This artwork involved a critical embodiment and reenvisioning of their past and present experiences in the form of performance. In addition, their creation of a symbolic Embassy of the Refugee was an imaginative way of asserting their right to protection. This article examines how members of affected communities have made artistic interventions into public spaces to focus attention on the nation-state as a site of crisis as well as envision autonomous, noninstitutional sanctuary spaces for each other, while also engaging in ongoing practices of solidarity with other displaced people.

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Migration and Society

Advances in Research

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