My visit to the Stateless Heritage exhibition at the Mosaic Rooms, London, led me to reexamine how the concept of “heritage” is used to create and preserve particular narratives of the state, in this case by proposing Dheisheh Refugee Camp in Palestine as a World Heritage Site. Central to the exhibition was the madafeh, seen as a space of openness and hospitality. I am not a refugee and do not speak for refugees. I interpret the Decolonizing Art and Architecture Research (DAAR) collective’s decolonizing project in the context of attempts to make room for people seeking asylum within “asylum dispersal areas” such as Doncaster, where I live—attempts in which the madafeh could play an important role.

Migration and Society

Advances in Research

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