Exhibit Reviews

in Museum Worlds
Author:
Johanna Zetterstrom-Sharp University College London j.zetterstrom-sharp@ucl.ac.uk

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Ciraj Rassool University of the Western Cape crassool@uwc.ac.za

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Bruce Levy Southern Methodist University blevy@mail.smu.edu

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Vera Mey Nanyang Technological University info@curatorsintl.org

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Jeanette Atkinson University of Leicester jca12@le.ac.uk

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Elizabeth Rankin Auckland University e.rankin@auckland.ac.nz

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Ying Ying Lai National Taiwan University of Arts acpm@ntua.edu.tw

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Linda Young Deakin University linda.young@deakin.edu.au

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Christian Mesia Montenegro San Ignacio de Loyola University cmesia@usil.edu.pe

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Conal McCarthy Victoria University of Wellington Conal.McCarthy@vuw.ac.nz

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Restricted access

Fetish Modernity (Museum of Ethnography, Stockholm)

Remaking an Ethnographic Museum in Cologne (The New Rautenstrauch-Joest Museum—Cultures of the World)

The George W. Bush Presidential Center (Dallas, Texas)

Moving on Asia: Towards a New Art Network 2004–2013 (Gallery LOOP, Seoul, and City Gallery Wellington)

L'Art Nouveau: La Révolution Décorative and Tamara de Lempicka (La Reine de l'Art Déco, Pinacothèque de Paris)

Staatliches Museum Ägyptischer Kunst, Glyptothek, and Alte Pinakothek, Munich

Tangible Splendor: The Chi Chang Yuan Collection of Lacquer with Mother-of-Pearl Inlay (National Museum of History, Taipei)

First Peoples (Bunjilaka Aboriginal Cultural Centre, Melbourne Museum Linda Young)

The National Museum of Archaeology, Anthropology and History, and the National Museum of Peruvian Culture, Lima

David Bowie Is (Victoria and Albert Museum, London, Art Gallery of Ontario, Toronto, and Martin-Gropius-Bau, Berlin)

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