Museums everywhere now display fragments of their own past displays,
often in the form of ancestral cabinets presented as autobiographical introductions.
What is the meaning of this introspective and retrospective “return to curiosity” in
museography? Reconnoitering a fistful of iconic museums in and around London and
Madrid, I suggest that the all-encompassing metatrope of curiosity begs a deeper question:
What is the museum a museum of?