Meetings Reports and Project Reports

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  • 1 Independent artist, writer, and curator juliegoughtasmania@gmail.com
  • 2 Independent artist and curator jonathan@jonathanjones.com.au
  • 3 Curator Kelli.Cole@nga.gov.au
  • 4 Arts worker Shari.Lett@ag.nsw.gov.au
  • 5 Curator g.c.iseger@gmail.com
  • 6 Auckland University b.lythberg@auckland.ac.nz
  • 7 Independent researcher jenny.walklate@gmail.com
  • 8 National Museum of Natural History, Smithsonian Institution naa@si.edu
  • 9 National Museum of Natural History, Smithsonian Institution naa@si.edu
  • 10 National Museum of Natural History, Smithsonian Institution bellja@si.edu
  • 11 University of Leicester nmb20@leicester.ac.uk
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Advances in Research

  • Lopesi, Lana. 2016. “The Changing of the Seas: Notes from the Pacific Arts Association Symposium.” The Pantograph Punch, 6 April. pantograph-punch.com/post/pacific-arts-association-symposium-auckland-changing-of-the-seas (accessed 1 September 2016).

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  • Mead, Sidney M. 1990. “General Meeting of the Pacific Arts Association,” Pacific Arts 1(2): 1720.

  • Hooper, Steven, Maia Jessop, and George Nuku. 2012. “Encounters with Polynesia in Britain: Art, Ancestors, Artists, and Curators,” Museum Anthropology 35(1): 1022.

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  • Macdonald, Sharon. 2011. “Expanding Museum Studies: An Introduction.” Pp. 112 in: A Companion to Museum Studies, ed. Sharon Macdonald. Chichester: Wiley-Blackwell.

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  • National Museums of Scotland. n.d. “Waka taua: Waka Fact File.” www.nms.ac.uk/explore/stories/world-cultures/waka-taua (accessed 23 August 2016).

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  • Stable, Charles. 2012. “Maximum Intervention: Renewal of a Maori Waka by George Nuku and National Museums Scotland.” Journal of Conservation and Museum Studies 10(1): 818.

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  • Thomas, Nicholas. 1991. Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific. Cambridge, MA: Harvard University Press.

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