“We Owe a Historical Debt to No One”

The Reappropriation of Photographic Images from a Museum Collection

in Museum Worlds
Author:
Helen Mears University of Brighton h.mears@brighton.ac.uk

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ABSTRACT

A collection of photographs by colonial officer and amateur anthropologist James Henry Green now in the collections of Brighton Museum & Art Gallery has been extensively reappropriated and reused by members of the Kachin community from northern Burma who originally formed their subject. This article considers one specific use, in a music track and video produced as part of a collaboration between a Burma-based Kachin rap artist and a Kachin singer and media producer currently living in China. Released at a critical moment for the Kachin community, following the recent breakdown of a long-standing cease-fire agreement between the Kachin Independence Organization and the Burmese government, the track and video reveal some of the tensions at play between the outward-looking, transnational, and cosmopolitan tendencies of the growing overseas Kachin community and the nostalgic, territorially based ethnonationalism that has been at the heart of Kachin demands for greater political autonomy since the 1960s.

Contributor Notes

HELEN MEARS is Keeper of World Art at Royal Pavilion & Museums, Brighton & Hove, and a doctoral student at the University of Brighton. Her doctoral research focuses on the cultural practices of overseas Kachin communities. Her broader research interests concern museums, museum ethnography, coproduction, migration, and diaspora. E-mail: h.mears@brighton.ac.uk

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Museum Worlds

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