Reply to Joseph P. Magliano and James A. Clinton, Paisley Livingston, and Brian Boyd

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  • 1 University of Wisconsin–Madison bordwell@wisc.edu
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Contributor Notes

David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin–Madison. He has written several books on film aesthetics and history, most recently Poetics of Cinema (Routledge, 2008), Planet Hong Kong: Popular Cinema and the Art of Entertainment, 2nd ed. (Irvington Way Institute Press), Pandora’s Digital Box: Films, Files, and the Future of Movies (Irvington Way Institute Press), and The Rhapsodes: How 1940s Critics Changed American Film Culture (University of Chicago Press). He and Kristin Thompson, his coauthor on Film Art: An Introduction, 11th ed. (McGrawl-Hill, 2016), blog at www.davidbordwell.net.

Projections

The Journal for Movies and Mind

  • Bordwell, David. 1985. Narration in the Fiction Film. Madison: University of Wisconsin Press.

  • Bordwell, David. 1988. Ozu and the Poetics of Cinema. Princeton, NJ: Princeton University Press. https://www.cjspubs.lsa.umich.edu/electronic/facultyseries/list/series/ozu.php (accessed 6 December 2015).

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  • Bordwell, David. 1989. Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. Cambridge, MA: Harvard University Press, 1989.

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  • Bordwell, David. 2008. Poetics of Cinema. New York: Routledge.

  • Bordwell, David. 2013. “Innovation by Accident.” http://www.davidbordwell.net/blog/2013/09/10/innovation-by-accident (accessed 6 December 2015).

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  • Graesser, A.C., Singer, M., & Trabasso, T. (1994). Constructing inferences during narrative text comprehension. Psychological Review, 101, 37195.

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  • Hochberg, Julian, and Virginia Brooks. 1996. “Movies in the Mind’s Eye.” Pp. 376395 in In the Mind’s Eye: Julian Hochberg on the Perception of Pictures, Films, and the World, ed. Mary A. Peterson, Barbara Gillam, and H.A. Sedgwick. New York: Oxford University Press.

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  • Ittelson, William H. 1968. The Ames Demonstrations in Perception, together with an Interpretive Manual by Adelbert Ames, Jr. New York: Hafner.

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  • McGilligan, Patrick. 1991. George Cukor: A Double Life. New York: St. Martin’s Press.

  • Sarris, Andrew. 1962–1963. “Notes on the Auteur Theory in 1962.” Film Culture no. 27 (Winter): 18.

  • Sternberg, Meir. 1978. Expositional Modes and Temporal Ordering in Fiction. Baltimore: Johns Hopkins University Press.

  • Sternberg, Meir. 2003a. “Universals of Narrative and Their Cognitivist Fortunes (1).” Poetics Today 24(2): 297395.

  • Sternberg, Meir. 2003b. “Universals of Narrative and Their Cognitivist Fortunes (II).” Poetics Today 24(3): 517638.

  • Trabasso, T., van den Broek, P., & Suh, S., (1989). Logical necessity and transitivity of causal relations in stories. Discourse Processes, 12, 125.

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  • Van Dijk, Teun A., and Walter Kintsch. Strategies of Discourse Comprehension. Orlando, FL: Academic Press, 1983.

  • Zwaan, R.A., & Radvansky, G.A. (1998). Situation models in language comprehension and memory. Psychological Bulletin, 123, 162185.

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