From the Editor

in Projections

In this issue of Projections, Dan Flory examines issues of race in film from a singular angle. He is interested in understanding how disgust reactions, manifested by viewers in relation to characters and situations, are inflected by racial dimensions of meaning and experience. Examining a wide range of films, he approaches the issue from the perspective of analytic philosophy and argues that the ways that viewers embody their sense of race through disgust reactions has implications for cognitive film theory.

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