Book Reviews

in Projections
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Contributor Notes

Brenden Rooney is Assistant Professor of Psychology at University College Dublin. E-mail: brendan.rooney@ucd.ie

Hanna Kubicka is a PhD candidate at the University of Glasgow. She previously studied at the University of Oxford and Edinburgh Napier University. Her writing has been published in Film International, Film-Philosophy, the Journal of Popular Film and Television, Film Matters, and The Oxford Student. Her research interests include emotional and affective engagement in film and television, audience research, art theory, and the intersections of neurology and film theory. E-mail: h.kubicka1@research.gla.ac.uk

Carl Plantinga is Professor of Film and Media at Calvin College. E-mail: cplantin@calvin.edu

James Kendrick is Associate Professor in the Department of Film and Digital Media at Baylor University. His primary research interests are postclassical Hollywood film history, violence in the media, the films of Steven Spielberg, the horror genre, and media censorship and regulation. He has published three books, Darkness in the Bliss-Out: A Reconsideration of the Films of Steven Spielberg (2014), Hollywood Bloodshed: Violence in 1980s American Cinema (2009), and Film Violence: History, Ideology, Genre (2009), as well as articles in numerous academic journals. He is also the film critic for Qnetwork.com. E-mail: james_kendrick@baylor.edu

Johannes Riis is Associate Professor of Film Studies at the University of Copenhagen. He has published extensively on film acting. E-mail: johriis@hum.ku.dk

Projections

The Journal for Movies and Mind

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  • HassonUruOhad LandesmanBarbara KnappmeyerIgnacio VallinesNava Rubin and David J. Heeger. 2008. “Neurocinematics: The Neuroscience of Film.” Projections 2 (1): 126.

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  • LoschkyLester C.Adam M. LarsonJoseph P. Magliano and Tim J. Smith. 2015. “What Would Jaws Do? The Tyranny of Film and the Relationship between Gaze and Higher-Level Narrative Film Comprehension.” PLOS ONE 10 (11): e0142474.

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  • SomersEricBrendan Rooney and Nicola Porter. 2015. “Viewer versus Film: Exploring the Role of Cognitive Function in Emotion Regulation during Film Viewing.” Paper presented at the Society for the Cognitive Studies of the Moving Image annual conferenceLondon17–20 June.

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  • TanEd S.-H. 1995. “Film-Induced Affect as a Witness Emotion.” Poetics 23 (1–2): 732.

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  • PlantingaCarl. 2010. “‘I Followed the Rules and They All Loved You More’: Moral Judgment and Attitudes toward Fictional Characters in Film.” Midwest Studies in Philosophy 31 (1): 3451.

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  • VaageMargrethe Bruun. 2009. “Seeing Is Feeling: The Function of Empathy for the Spectator of Fiction Film.” PhD diss. University of Oslo.

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  • CarnickeSharon Marie. 1999. “Lee Strasberg’s Paradox of the Actor.” In Screen Acting ed. Alan Lovell and Peter Krämer7581. New York: Routledge.

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  • EitzenDirk. 2012. “The Nature of Film Comedy, or Why Is Shaun of the Dead Funny?Projections 6 (2): 117.

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