After expressing my enthusiasm for Murray Smith’s Film, Art, and the Third Culture, I offer a critical discussion focused upon the place of the experiential-phenomenological dimension in Smith’s naturalized aesthetics. I look closely at two films, Béla Tarr’s The Turin Horse (2011) and Jonathan Glazer’s Under the Skin (2013), in relationship to Smith’s claims about the qualia filmmakers impart to their creations and the highly specific states of mind, emotional and otherwise, that they manage to express and to evoke in viewers.
Jerrold Levinson is Distinguished University Professor of Philosophy at the University of Maryland and past president of the American Society for Aesthetics. He is the author and editor of many books on the philosophy of art. His most recent authored volume is Aesthetic Pursuits (Oxford University Press, 2016). Email: email@example.com