Book Reviews

in Projections
Author:
Christopher Blake Everndenchristopher.evernden@uleth.ca

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Cynthia A. FreelandUniversity of Houston cfreeland@uh.edu

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Thomas SchatzUniversity of Texas at Austin tschatz@austin.utexas.edu

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Frank P. Tomasulofranktomasulo@yahoo.com

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DOI:
https://doi.org/10.3167/proj.2019.130310
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Rikke Schubart, Mastering Fear: Women, Emotions, and Contemporary Horror (New York: Bloomsbury, 2018), 384 pp., $117 (hardback), ISBN: 9781501336713.

Xavier Aldana Reyes, Horror Film and Affect: Towards a Corporeal Model of Viewership (New York: Routledge, 2016), xii +206 pp., $49.95 (paperback), ISBN: 9781138599611.

David Bordwell, Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling (Chicago: University of Chicago Press, 2017), 592 pp., $30.00 (paperback), ISBN: 9780226639550.

Todd Berliner, Hollywood Aesthetic: Pleasure in American Cinema (Oxford: Oxford University Press, 2017), 320 pp., $39.95 (paperback), ISBN: 9780190658755.

Contributor Notes

Christopher Blake Evernden is an award-winning Independent Filmmaker, Lecturer, Illustrator, and Storyboard and Makeup Artist for film and television. His illustration work has been published on book and magazine covers (Rue Morgue), and his most recent feature, Prairie Dog, and short film, Spider, have won numerous awards, have been played at festivals, and have been distributed worldwide. E-mail: christopher.evernden@uleth.ca

Cynthia Freeland is Professor Emerita of Philosophy at the University of Houston. She is the author of numerous books and articles in aesthetics, ancient philosophy, feminist philosophy, and film theory. E-mail: cfreeland@uh.edu

Thomas Schatz is Professor and Mary Gibbs Jones Centennial Chair at the University of Texas at Austin. His books include The Genius of the System: Hollywood Filmmaking in the Studio Era (1989, Pantheon Books) and Boom and Bust: American Cinema in the 1940s (2008, University of California Press). E-mail: tschatz@austin.utexas.edu

Frank P. Tomasulo is the author of Michelangelo Antonioni: Ambiguity in the Modernist Cinema (2019), the coeditor of More Than a Method (2004), and the author of hundreds of essays and conference papers on film and television subjects. He was also the editor of both the Journal of Film and Video and Cinema Journal. E-mail: franktomasulo@yahoo.com

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Projections

The Journal for Movies and Mind

Cover Projections
Article Category:
Book Review
Page Count:
21
Print Publication Date:
01 Dec 2019
Online Publication Date:
01 Dec 2019
Copyright:
© Berghahn Books 2019

  • Bacon, Henry. 2015. The Fascination of Film Violence. Basingstoke, UK: Palgrave Macmillan.

  • Carroll, Noël. 1999. “Film, Emotion, and Genre.” In Passionate Views: Film, Cognition, and Emotion, ed. Carl Plantinga and Greg M. Smith, 21–47. London: Johns Hopkins University Press.

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  • Carroll, Noël. 1990. The Philosophy of Horror, Or, Paradoxes of the Heart. New York: Routledge.

  • Creed, Barbara. 1993. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London: Routledge.

  • Freeland, Cynthia. 2000. The Naked and the Undead: Evil and the Appeal of Horror. Boulder, CO: Westview.

  • Freeland, Cynthia. 2004. “Horror and Art-Dread.” In The Horror Film, ed. Stephen Prince, 189–205. New Brunswick, NJ: Rutgers University Press.

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  • Hanich, Julian. 2010. Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear. New York: Routledge.

  • Kristeva, Julia. 1980. Powers of Horror: An Essay on Abjection. New York: Columbia University Press.

  • Behlmer, Rudy. 1993. Memo from Darryl F. Zanuck. New York: Grove.

  • Bordwell, David. 1985. Narration in the Fiction Film. Madison: University of Wisconsin Press.

  • Bordwell, David. 2006. The Way Hollywood Tells It. Berkeley: University of California Press.

  • Bordwell, David, Janet Staiger, and Kristin Thompson. 1985. The Classical Hollywood Cinema. New York: Routledge.

  • Barthes, Roland, and Richard Howard. 1975. The Pleasure of the Text. New York: Macmillan.

  • Berliner, Todd. 2010. Hollywood Incoherent: Narration in Seventies Cinema. Austin: University of Texas Press.

  • Eco, Umberto. 1985. “Casablanca: Cult Movies and Intertextual Collage.” SubStance 14.2: 3–12.

  • Freud, Sigmund. 1961. Beyond the Pleasure Principle. Trans. by James Strachey. New York: W.W. Norton.

  • Marcuse, Herbert. 1978. The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics. Boston: Beacon.

  • Tomasulo, Frank P. 1999. “Raging Bully: Postmodern Violence and Masculinity in Raging Bull.” In Mythologies of Violence in Postmodern Media, ed. Christopher Sharrett, 175–197. Detroit: Wayne State University Press.

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