Brown, Tom. 2012. Breaking the Fourth Wall. Edinburgh: Edinburgh University Press.

Brown, Tom. 2012. Breaking the Fourth Wall. Edinburgh: Edinburgh University Press.)| false
• Search Google Scholar
• Export Citation

Casetti, Francesco. 1998 [1986]. Inside the Gaze. Bloomington: Indiana University Press.

Casetti, Francesco. 1998 [1986]. Inside the Gaze. Bloomington: Indiana University Press.)| false
• Search Google Scholar
• Export Citation

Fauconnier, Gilles, and Mark Turner. 2002. The Way We Think. New York: Basic Books.

Fauconnier, Gilles, and Mark Turner. 2002. The Way We Think. New York: Basic Books.)| false
• Search Google Scholar
• Export Citation

Bennett, Jill. 2005. Empathic Vision. Redwood City, CA: Stanford University Press.

Bennett, Jill. 2005. Empathic Vision. Redwood City, CA: Stanford University Press.)| false
• Search Google Scholar
• Export Citation

Caruth, Cathy. 1996. Unclaimed Experience. Baltimore, MD: Johns Hopkins University Press.

Caruth, Cathy. 1996. Unclaimed Experience. Baltimore, MD: Johns Hopkins University Press.)| false
• Search Google Scholar
• Export Citation

Malabou, Catherine. 2012. Ontology of the Accident. Cambridge: Polity.

Malabou, Catherine. 2012. Ontology of the Accident. Cambridge: Polity.)| false
• Search Google Scholar
• Export Citation

Münsterberg, Hugo, 2001. The Photoplay: A Psychological Study and Other Writings, edited by Allan Langdale. New York: Routledge.

Münsterberg, Hugo, 2001. The Photoplay: A Psychological Study and Other Writings, edited by Allan Langdale. New York: Routledge.)| false
• Search Google Scholar
• Export Citation

Smith, Murray. 1999. “Imagining from the Inside.” In Film Theory and Philosophy, edited by Richard Allen and Murray Smith, 412–430. Oxford: Oxford University Press.

Smith, Murray. 1999. “Imagining from the Inside.” In Film Theory and Philosophy, edited by Richard Allen and Murray Smith, 412–430. Oxford: Oxford University Press.)| false
• Search Google Scholar
• Export Citation

Smith, Murray. 2022. Engaging Characters. 2nd ed. Oxford: Oxford University Press.

Smith, Murray. 2022. Engaging Characters. 2nd ed. Oxford: Oxford University Press.)| false
• Search Google Scholar
• Export Citation

Sobchack, Vivian. 1991. The Address of the Eye. Princeton, NJ: Princeton University Press.

Sobchack, Vivian. 1991. The Address of the Eye. Princeton, NJ: Princeton University Press.)| false
• Search Google Scholar
• Export Citation

Branigan, Edward. 1984. Point of View in the Fiction Film. London: Routledge.

Branigan, Edward. 1984. Point of View in the Fiction Film. London: Routledge.)| false
• Search Google Scholar
• Export Citation

Smith, Greg M. 1999. “Local Emotions, Global Moods, and Film Structure.” In Passionate Views: Film, Cognition, and Emotion, edited by Carl Plantinga and Greg M. Smith, 103–127. Baltimore, MD: The Johns Hopkins University Press.

Smith, Greg M. 1999. “Local Emotions, Global Moods, and Film Structure.” In Passionate Views: Film, Cognition, and Emotion, edited by Carl Plantinga and Greg M. Smith, 103–127. Baltimore, MD: The Johns Hopkins University Press.)| false
• Search Google Scholar
• Export Citation

Smith, Murray. 1995. Engaging Characters. Oxford: Clarendon Press.

Smith, Murray. 1995. Engaging Characters. Oxford: Clarendon Press.)| false
• Search Google Scholar
• Export Citation

Davies, David. 2013. “Categories of Art.” In The Routledge Companion to Aesthetics, 3rd edition, edited by Berys Gaut and Dominic McIver Lopes, 224–234. New York: Routledge.

Davies, David. 2013. “Categories of Art.” In The Routledge Companion to Aesthetics, 3rd edition, edited by Berys Gaut and Dominic McIver Lopes, 224–234. New York: Routledge.)| false
• Search Google Scholar
• Export Citation

Kittler, Friedrich. 1999. Gramophone, Film, Typewriter. Palo Alto, CA: Stanford University Press.

Kittler, Friedrich. 1999. Gramophone, Film, Typewriter. Palo Alto, CA: Stanford University Press.)| false
• Search Google Scholar
• Export Citation