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Volume 3 (2009): Issue 2 (Dec 2009): Hindi Cinema. Guest Editors: Patrick Colm Hogan and Lalita Pandit Hogan

in Projections

Table of Contents

Introduction
- Hindi Cinema as a Challenge to Film Theory and Criticism
  
  By: Patrick Colm Hogan
  
  Pages: 5–9
Articles
- Fantasy, Realism, and Other Mixed Delights: What Have Film Analysts Seen in Popular Indian Cinema?
  
  By: Sara Dickey
  
  Pages: 1–19
- Pakeezah: Dreamscape of Desire
  
  By: Richard Allen and Ira Bhaskar
  
  Pages: 20–36
- “Put your hands up and sing . . .”: Cross-Cultural Film Reception and Fandom
  
  By: Hannah Birr
  
  Pages: 37–55
- Hum Aapke Hain Koun . . .!: An Example of the Coding of Emotions in Contemporary Hindi Mainstream Film
  
  By: Alexandra Schneider
  
  Pages: 56–70
- On the Meaning of Style: Cognition, Culture, and Visual Technique in Bimal Roy's Sujata
  
  By: Patrick Colm Hogan
  
  Pages: 71–90
- Body Movements and Audience Emotion in Mira Nair's Filmic Bombay
  
  By: Frederick Luis Aldama
  
  Pages: 91–104
- Color and Artefact Emotion in Alternative Cinema: A Comparative Analysis of Gabbeh, Mirch Masala, and Meenaxi: A Tale of 3 Cities
  
  By: Lalita Pandit Hogan
  
  Pages: 105–123
Book Review
- Book Review
  
  By: Rini Cobbey
  
  Pages: 124–129

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