Volume 3 (2009): Issue 2 (Dec 2009): Hindi Cinema. Guest Editors: Patrick Colm Hogan and Lalita Pandit Hogan

in Projections

Table of Contents

Introduction
Hindi Cinema as a Challenge to Film Theory and Criticism
Hindi Cinema as a Challenge to Film Theory and Criticism
Articles
Fantasy, Realism, and Other Mixed Delights: What Have Film Analysts Seen in Popular Indian Cinema?
Fantasy, Realism, and Other Mixed Delights: What Have Film Analysts Seen in Popular Indian Cinema?
Pakeezah: Dreamscape of Desire
Pakeezah: Dreamscape of Desire
“Put your hands up and sing . . .”: Cross-Cultural Film Reception and Fandom
“Put your hands up and sing . . .”: Cross-Cultural Film Reception and Fandom
Hum Aapke Hain Koun . . .!: An Example of the Coding of Emotions in Contemporary Hindi Mainstream Film
Hum Aapke Hain Koun . . .!: An Example of the Coding of Emotions in Contemporary Hindi Mainstream Film
On the Meaning of Style: Cognition, Culture, and Visual Technique in Bimal Roy's Sujata
On the Meaning of Style: Cognition, Culture, and Visual Technique in Bimal Roy's Sujata
Body Movements and Audience Emotion in Mira Nair's Filmic Bombay
Body Movements and Audience Emotion in Mira Nair's Filmic Bombay
Color and Artefact Emotion in Alternative Cinema: A Comparative Analysis of Gabbeh, Mirch Masala, and Meenaxi: A Tale of 3 Cities
Color and Artefact Emotion in Alternative Cinema: A Comparative Analysis of Gabbeh, Mirch Masala, and Meenaxi: A Tale of 3 Cities
Book Review
Book Review
Book Review
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