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Volume 3 (2009): Issue 2 (Dec 2009): Hindi Cinema. Guest Editors: Patrick Colm Hogan and Lalita Pandit Hogan
in
Projections
Table of Contents
Introduction
Hindi Cinema as a Challenge to Film Theory and Criticism
By:
Patrick Colm Hogan
Pages: 5–9
Articles
Fantasy, Realism, and Other Mixed Delights: What Have Film Analysts Seen in Popular Indian Cinema?
By:
Sara Dickey
Pages: 1–19
Pakeezah: Dreamscape of Desire
By:
Richard Allen
and
Ira Bhaskar
Pages: 20–36
“Put your hands up and sing . . .”: Cross-Cultural Film Reception and Fandom
By:
Hannah Birr
Pages: 37–55
Hum Aapke Hain Koun . . .!: An Example of the Coding of Emotions in Contemporary Hindi Mainstream Film
By:
Alexandra Schneider
Pages: 56–70
On the Meaning of Style: Cognition, Culture, and Visual Technique in Bimal Roy's Sujata
By:
Patrick Colm Hogan
Pages: 71–90
Body Movements and Audience Emotion in Mira Nair's Filmic Bombay
By:
Frederick Luis Aldama
Pages: 91–104
Color and Artefact Emotion in Alternative Cinema: A Comparative Analysis of Gabbeh, Mirch Masala, and Meenaxi: A Tale of 3 Cities
By:
Lalita Pandit Hogan
Pages: 105–123
Book Review
Book Review
By:
Rini Cobbey
Pages: 124–129
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