Volume 3 (2009): Issue 2 (Dec 2009): Hindi Cinema. Guest Editors: Patrick Colm Hogan and Lalita Pandit Hogan

in Projections

Introduction
- Hindi Cinema as a Challenge to Film Theory and Criticism
  
  Hindi Cinema as a Challenge to Film Theory and Criticism
Articles
- Fantasy, Realism, and Other Mixed Delights: What Have Film Analysts Seen in Popular Indian Cinema?
  
  Fantasy, Realism, and Other Mixed Delights: What Have Film Analysts Seen in Popular Indian Cinema?
- Pakeezah: Dreamscape of Desire
  
  Pakeezah: Dreamscape of Desire
- “Put your hands up and sing . . .”: Cross-Cultural Film Reception and Fandom
  
  “Put your hands up and sing . . .”: Cross-Cultural Film Reception and Fandom
- Hum Aapke Hain Koun . . .!: An Example of the Coding of Emotions in Contemporary Hindi Mainstream Film
  
  Hum Aapke Hain Koun . . .!: An Example of the Coding of Emotions in Contemporary Hindi Mainstream Film
- On the Meaning of Style: Cognition, Culture, and Visual Technique in Bimal Roy's Sujata
  
  On the Meaning of Style: Cognition, Culture, and Visual Technique in Bimal Roy's Sujata
- Body Movements and Audience Emotion in Mira Nair's Filmic Bombay
  
  Body Movements and Audience Emotion in Mira Nair's Filmic Bombay
- Color and Artefact Emotion in Alternative Cinema: A Comparative Analysis of Gabbeh, Mirch Masala, and Meenaxi: A Tale of 3 Cities
  
  Color and Artefact Emotion in Alternative Cinema: A Comparative Analysis of Gabbeh, Mirch Masala, and Meenaxi: A Tale of 3 Cities
Book Review
- Book Review
  
  Book Review

Table of Contents