This article is intended as ‘sequel’ to Adrian van den Hoven’s
article in Sartre Studies International (vol. 6 no. 2 , 2000) entitled
‘Some Of These Days’. I would like to examine the significance of
the jazz tune ‘Some Of These Days’ for Sartre, both from an autobiographical
and from a philosophical point of view, referring in detail
to the text of La Nausée.