This article revisits questions of embodiment (screen and otherwise) with regard to one of the most representative first-generation hypertext fictions—Shelley Jackson’s Patchwork Girl—in order to show how this new genre’s search for identity takes the form of a programmatic inversion of the principles underlying the Romantic poetics and imagery and of a conscious identification with the forms that established views of literature exiled from its realm. The analysis follows the train of metaphorical oppositions deriving from the contrast that Patchwork Girl sets up between book and hypertext by presenting itself as a derivative of Mary Shelley’s novel embodied in a monster (re)born from discarded pieces (of prose or flesh) as opposed to the beautiful and harmonious body that is the book.
Eliza Deac earned a PhD in philology at the Faculty of Letters of Babeș-Bolyai University in 2016, where she presented a dissertation on the transformations of the poetic language in response to the development of new media, as illustrated by the experimental literary trends of the twentieth and twenty-first centuries.
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