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Marissa C. de Baca
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Erin Y. Huang. Urban Horror: Neoliberal Post-Socialism and the Limits of Visibility (Durham, NC: Duke University Press, 2020). 288 pp. ISBN: 978-1-4780-0809-5 / 978-1-4780-0679-4; (paperback, $26.95; hardback, $99.05)

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Screen Bodies

The Journal of Embodiment, Media Arts, and Technology

  • Kristeva, Julia. 1982. Powers of Horror: An Essay on Abjection. Trans. Leon S. Roudiez. New York: Columbia University Press.

  • Lefebvre, Henri. 1991. The Production of Space. Trans. Donald Nicholson-Smith. Cambridge, MA: Blackwell.

  • Merleau-Ponty, Maurice. 1964. “Marxism and Philosophy.” In Sense and Non-Sense. Trans. Hubert L. Dreyfus and Patricia Allen Dreyfus. Evanston, IL: Northwestern University Press.

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  • Akerman, Chantal. 1993. D'Est (From the East). Belgium.

  • Feng, Cong. 2012. Stratum 1: The Visitors (Diceng 1: Laike). China (PRC).

  • Ke, Xu. 1949. Resplendent Light (Guangmang wanzhang). China (PRC).

  • Kena, Dong. 1976. Fiery Youth (Qingchun sihuo). China (PRC).

  • Lumière, Louis. 1895. Workers Leaving the Lumière Factory (La Sortie de l'Usine Lumière à Lyon). France.

  • Meng, Zhang. 2010. The Piano in a Factory (Gang de qin). China (PRC).

  • Shaohong, Li. 2004. Baober in Love (Lian'ai zhong de baobei). China (PRC).

  • Tsai, Ming-Liang. 1998. The Hole (Dong). Taiwan.

  • Tsai, Ming-Liang. 2006. I Don't Want to Sleep Alone (Hei yanquan). Malaysia, Taiwan.

  • Tsai, Ming-Liang. 2013. Stray Dogs (Jiaoyou/Excursions). Taiwan, France.

  • Zhangke, Jia. 2013. A Touch of Sin (Tian zhuding). China (PRC).


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