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Author:
Michael Houseman
Michael Houseman
Ecole Pratique des Hautes Etudes michael.houseman@ephe.sorbonne.fr
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This essay reports on the performance of an initiatory rite of the author’s invention, undertaken as a practical experiment for thinking about certain recurrent features of ritual action and, specifically, of (male) initiation. In keeping with an approach that sees ritual as the enactment of special relationships, this initiation, The Red and the Black, was designed to demonstrate the importance of interactive patterning both for the structuring of ritual performance and for the participants’ commitment to the relationships they ritually enact. Its meaningfulness, as well as its capacity to affect the participants’ perceptions and ideas, is shown to derive less from the (minimal) explicit symbolism it employs, the beliefs it presupposes, or the social functions that can be attributed to it than from the relational entailments of the coordinate interactions it involves. Framing, simulation, secrecy, imposed suffering, symbolism, ceremonial efficacy, ritual condensation, and the complex interplay of in-group and out-group perspectives are among the issues that are illustrated and discussed.