The Arts and State Power

in Social Analysis
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  • 1 University of Bergen

The development of the arts as a collective modern phenomenon is intricately woven into its genesis in the milieu of princely Renaissance courts of varying size, complexity, and indeed grandeur that provided sustenance and shelter to artists of all kinds during the fifteenth to eighteenth centuries (see Burckhardt [1860] 1990). The protection of artists was the province of aristocratic dynasties that could augment or rescind their patronage at unpredictable moments; nonetheless, as Elias (1993) makes clear, artists such as Mozart struggled constantly to maintain some kind of independence from their noble benefactors.

Social Analysis

The International Journal of Anthropology