While focusing on its dynamics, Bruce Kapferer considers ritual as a means for readjusting the flow of life, thus undermining Claude Lévi-Strauss's vision of ritual as a vain search for continuity. This article shows the potential of Kapferer's approach for understanding the dance rituals that the Punu of Congo-Brazzaville dedicate to twins, who, as waterspirits, embody the source of life. Advancing Victor Turner's attempt to account for the generative power of ritual, it discloses the means through which these rituals afford a lived experience of revitalizing continuity whereby the part embraces the whole and a focused, self-intensifying energetic dynamic unfolds and continuously readjusts its own flow. The analysis of rhythm and its actualization in song and dance turns out to be essential in this regard.