The Value of Curating Music

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  • 1 Composer, Producer and Performance Artist
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Abstract

This article examines the practice of concert organization from an ethical perspective. By examining the field in relation to the notion of value, it explores the processes by which curators produce live acts, and the issues they face when they do so. The central argument traces a trajectory from the material to the immaterial aspects. The first part (Context and Value) shows how financial and cultural matters are embedded into live music production, and frames curatorship as the articulation of their co-dependent relations. The second part (Praxis) explores how music curators breathe value creation in their work context, by comparing interviews with the directors of Venice Biennale Musica, London Contemporary Music Festival, and No-Nation. The third part (Risk and Ethics) introduces risk-taking as a unit of value measurement, and points out the force of the curatorial in its power to confer value.

Contributor Notes

Francesco Venturi is a composer, producer and performance artist. He has been curating concerts since 2012 and is the co-founder of the venue Spettro in Brescia. Doctoral candidate at Kingston University of London, he graduated from Milan Conservatory and Goldsmiths University.

TURBA

The Journal for Global Practices in Live Arts Curation

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