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Tröndle, Martin, ed. 2021. Classical Concert Studies: A Companion to Contemporary Research and Performance. New York: Routledge.
Tanurovska-Kjulavkovski, Biljana, and Slavcho Dimitrov, eds. 2021. Curating in Context: Political and Performative Imaginaries. Skopje: Lokomotiva-Centre for New Initiatives in Arts and Culture.
Contributor Notes
Miguel Ángel Marín (PhD University of London) is Professor of Music at the University of La Rioja, Spain. His research interests are music in eighteenth- and nineteenth-century Spain, as well as classical concert programming and performance studies. Since 2009, he is the Director of the Program of Music at the Fundación Juan March in Madrid.
Sarah-Louise Spies is a choreographer, performance curator, and senior lecturer in contemporary dance and performance art. She is part of the Manchester-based artists-led curatorial collective Accumulations and has led and collaborated on numerous internationally funded public research and performative events and programs. She is the author of Choreographies of the Curatorial: Performative Trajectories for Choreography and Dance in the Museum (2020) and the co-editor of (Un)Commoning Voices & (Non)Communal Bodies (2021) with Maayan Sheleff.