Abstract
Agnès Varda's early narrative films are texturally rich meditations on love and mortality. Each film uses aesthetic strategies that lend a palpability to the heartbreak, grief, and loss explored therein. This article examines how Varda's use of hapticity makes the morbid enticing, luring the viewer closer to the films’ surface. I particularly examine how these films balance narrative storytelling alongside palpable images, investigating whether films are seen, felt, or both simultaneously.