Abstract
This article examines Whiteness from the perspective of the concept of Blackness and the production of Black gazes upon Whiteness. The goal is neither to reverse old schemes nor to establish a new asymmetric duality, but to come back to the first space in which political, social, and visual dynamics are formed—the body. In doing so, the article shows that the notions and tools developed by Blackness Studies and Critical Race Theories enable the analysis of the role of corporeality in the joint construction of Whiteness and Blackness.