At the beginning of the twentieth century, due to the spread of helmet diving beyond engineering communities, people started to attend to the remarkable qualities of underwater optics, differing radically from seeing through air. With the revelation of this unfamiliar planetary environment to a broader public, creators across the arts took inspiration from underwater optics to structure fantasy spaces of dream, hallucination, and marvel. To show the properties of underwater optics inspiring these fantasy spaces, this article analyzes undersea paintings by Walter “Zarh” Pritchard, reputedly the first artist to have painted en pleine mer. It then turns to aquatically-inspired works of surrealism, the movement offering the most famous appropriation of underwater optics for the arts, focusing notably on André Breton's L'Amour fou and Jean Vigo's L'Atalante.
Underwater Optics as Symbolic Form
Rosemary Wakeman Paris Dreams, Paris Memories: The City and Its Mystique by Charles Rearick
Shannon L. Fogg France under Fire: German Invasion, Civilian Flight, and Family Survival during World War II by Nicole Dombrowski Risser
Elizabeth Campbell Karlsgodt Divided Memory: French Recollections of World War II from the Liberation to the Present by Olivier Wieviorka
Jennifer Anne Boittin French Primitivism and the Ends of Empire, 1945–1975 by Daniel J. Sherman
Can French Studies Exist Today?
“French studies” were much easier to do thirty years ago when French Politics, Culture & Society was founded. France then seemed, and largely was, synonymous with Paris, which appeared knowable. It also seemed possible to scan French intellectual and cultural life across disciplines, in part because the Parisian French media loudly announced where the action was. French politics also looked distinctive internationally and French leaders projected themselves around the planet. It was understandable that FPCS would have holistic goals and attempt to cover as much of what was happening as possible while eagerly embracing inter-disciplinarity. Since then there have been massive changes, however. France's intellectual, cultural, social, and political biographies have been decentralized, Europeanized, globalized, and internationalized. French academic disciplines, like those in other countries, have been subdivided, often in difficult-to-follow ways. France itself, in the 1980s a formerly colonial great power that still spoke stridently in world affairs, is now a medium-sized member of the EU under very great economic and social strains. It is vastly harder to do holistic “French studies” now. All the more reason to try!
A Few Thoughts on the Future of French Studies
It is argued that the concept of “French studies” originally embodied in this journal was born of a unique constellation of social, cultural, and political forces characteristic of the middle years of the Cold War. The unity of the field defined by that moment was subsequently challenged by tensions inherent in the shift to a more transnational comparative perspective. A return to a ”reflective equilibrium” between the local and the global anchored in an emphasis on language and culture is advocated.
Flourishing in a Tough Climate
With FPCS embarking on its fourth decade of publishing work on the study of France and the francophone world, the journal invited scholars in several disciplines to write short essays on where they thought the field of French Studies should head in the future. This essay introduces the resulting dossier on “French Studies and Its Futures.” It situates the project in the current context in which the field is thriving intellectually but struggling with menacing institutional pressures. It goes on to describe the particular formulation of French Studies that the journal came to represent in its early years in the 1980s, how it evolved since, and what that experience suggests about how scholars can respond creatively to the challenges and opportunities the future may hold for the field.
Old Paradigms, Current Tendencies, New Directions
Over the past three decades modern French history has undergone important changes, introducing new methodologies and taking up new questions. Two directions are especially promising. Since the “global turn” of the 1990s, many French historians have shifted their focus outside of the hexagon to examine France in a global and transnational context. Their work has explored the contradictions of France's democratic heritage and exclusionary practices evident in the history of colonialism, immigration, and ethno-racial exclusion. A second body of research has addressed the gender dimensions of French colonialism and has examined how colonialism deployed sexuality and sexual difference in maintaining colonial rule. Both strands of research have demonstrated how France's engagement beyond the hexagon has shaped French institutions and social life.
How Neo-Liberalism Has Transformed France's Symbolic Boundaries?
Michèle Lamont and Nicolas Duvoux
This essay considers changes in the symbolic boundaries of French society under the influence of neo-liberalism. As compared to the early nineties, stronger boundaries toward the poor and blacks are now being drawn, while North-African immigrants and their offsprings continue to be largely perceived as outside the community of those who deserve recognition and protection. Moreover, while the social reproduction of upper-middle-class privileges has largely remained unchanged, there is a blurring of the symbolic boundaries separating the middle and working class as the latter has undergone strong individualization. Also, youth are now bearing the brunt of France's non-adaptation to changes in the economy and are increasingly marginalized. The result is a dramatic change in the overall contours of the French symbolic community, with a narrowed definition of cultural membership, and this, against a background of growing inequality, unemployment, and intolerance in a more open and deregulated labor market.
In Rousseau's Shadow
In a witty entry written in 1987 for a hypothetical dictionary to be published at the dawn of the new millennium, Bernard Henri-Lévy proposed the following definition of the intellectual: “Noun, masculine gender, a social and cultural category born in Paris at the moment of the Dreyfus Affair, died in Paris at the end of the twentieth century; apparently was not able to survive the decline in belief in Universals” (506). Twenty-five years later, intellectuals continue to exist on both banks of the Seine but their current prestige no longer matches the one they once enjoyed in the City of Light. Over the course of the last three centuries, intellectuals in France have occupied a prominent position in politics and society, and their voices have extended beyond the ivory tower of academia. More so than any other country in the world (with the possible exception of Russia), France demonstrates the extent to which people’s daily life can be influenced directly by intricate and abstruse works of literature, sociology, and philosophy. This constitutes the subject of Jeremy Jennings’s new book, Revolution and the Republic, a history of modern French political thought since the eighteenth century.
La civilisation du journal entre histoire et littérature
Perspectives et prospectives
This article describes the results developed in the recently published La Civilisation du journal, histoire culturelle et littéraire de la presse (ed. Dominique Kalifa, Philippe Régnier, Marie-Ève Thérenty, and Alain Vaillant), a collaboration between historians and literary scholars working together for eight years to write a synthesis about the history of the French press during the nineteenth century. It offers a comprehensive encyclopedia of journalism, the genres and forms of the periodical press, the principal figures of nineteenth-century French journalism, and the modern culture of the press. The article describes the different projects between history and literature that could be developed after this project. This kind of methodology should be extended to the relations between press and literature during the twentieth century, to women's journalism and to the globalization of the media during the nineteenth century. These projects could be developed with the help of the website Médias19.