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Abstract

This article addresses the distinction which Sartre draws between memory and imagination. The article is in two parts. In the first part it is suggested that, in common with the distinction he draws between imagining and perceiving, the separation of memory and imagination is undermined by Sartre's own phenomenology. Memories are part of the family of imaginings to which Sartre directs us. Nonetheless, in the second part of the article, Sartre's distinction is revisited. The working of imagination in memory does not mean that we are making up our past. Utilising Barthes’ discussion, in Camera Lucida it is argued that memory provides a distinctive relation to our past, which makes evident to us what it is to live a life in time.

Abstract

This article examines Sartre's works in which his attempt to find an existentialist ethics is evident. Most of the clues to this project are to be found in texts published posthumously since during his lifetime he never managed to fulfil the promise he made at the end of Being and Nothingness. It will be argued that this existentialist ethics owes a strong debt to Kantian philosophy, even if it confronts more directly the historical dynamics of violence and oppression. Despite the fact that this project is unfinished and only sketched out, it is possible to ask what Sartre's direction of development would have been, pointing to the outline of a normative theory, Critical Existentialism, that could have its place in contemporary ethical debate.

Abstract

Different kinds of fakery and imposture can be differentiated by means of the imaginary regimes within which a performative simulation unfolds. Engaging with Sartre's analysis of the imaginary, we will identify three such regimes, calling them the objective, the reflective, and the phantasmatic. Each of these regimes involves its own kind of image and accordingly a specific type of simulation. It is proper to the objective image to attain dissimulation of the self by replacing the real with fiction. In the reflective regime, the real is not substituted by the imaginary, but rather contaminated by it. Finally, whereas the objective and the reflective regimes operate within the sphere of intentional (dis)simulation, the phantasmatic image carries us beyond Sartre's findings, as it shapes the very structure of pre-reflective disclosedness which provides the background for our projects.

Kathryn Sophia Belle's (formerly Kathryn T. Gines’) publications engaged in this interview:

2003 (Fanon/Sartre 50 yrs) “Sartre and Fanon Fifty Years Later: To Retain or Reject the Concept of Race,” Sartre Studies International, Vol. 9, Issue 2 (2003): 55-67, https://doi.org/10.3167/135715503781800213.

2010 (Convergences) “Sartre, Beauvoir, and the Race/Gender Analogy: A Case for Black Feminist Philosophy” in Convergences: Black Feminism and Continental Philosophy, pages 35-51. Eds. Maria Davidson, Kathryn T. Gines, Donna Dale Marcano. New York: SUNY, 2010.

2011 (Wright/Legacy) “The Man Who Lived Underground: Jean-Paul Sartre and the Philosophical Legacy of Richard Wright,” Sartre Studies International, Vol. 17, Issue 2 (2011): 42-59, https://doi.org/10.3167/ssi.2011.170204.

2012 (Reflections) “Reflections on the Legacy and Future of Continental Philosophy with Regard to Critical Philosophy of Race,” The Southern Journal of Philosophy, Vol. 50, Issue 2 (June 2012): 329-344, https://doi.org/10.1111/j.2041-6962.2012.00109.x.

Abstract

The analogy Simone de Beauvoir draws between “les femmes” and “des Noirs d'Amérique” is a key part of the intersectional critique of The Second Sex. Intersectional critics persuasively argue that Beauvoir's analogy reveals the white, middle-class identity of The Second Sex's ostensibly universal “woman”, emphasizing the fact that the text does not account for the experiences of black, Jewish, proletariat or indigenous women. In this essay, I point to multiple instances in The Second Sex in which Beauvoir endorses a coalition between workers black and white, male and female. When Beauvoir writes on economic injustice, she advocates for an inclusive workers party where racial and sexual differences become immaterial as workers come together in a collective struggle. I thus propose that Beauvoir's Marxism is an overlooked, yet important, counterpoint to the intersectional critique of The Second Sex.

Abstract

This article offers a critical analysis of Euromodernity through an engagement with the Africana existentialism of Lewis R. Gordon. Drawing on Gordon's recent work Freedom, Justice, and Decolonization (Routledge, 2021) as well as Frantz Fanon, the author argues for the need to decolonize modernity by decoupling Europe and reason, freedom, knowledge, and power. Understanding what it means to be a human being involves an ongoing commitment understanding its relationship to the larger structures of reality, including social reality.

Abstract

This article concerns Émile Durkheim's critique of the Action Française as expressed in his seminal articles of 1898, which was an important moment in the Dreyfus Affair, where Durkheim's active engagement serves to challenge a still widespread view of him as a latter day traditionalist and positivist, He developed epistemological and political arguments against this proto-fascist movement, which have implications for his accounts of nationalism and internationalism.

Abstract

This article explores Sartre's existential psychoanalysis as a phenomenological method for apprehending the fundamental project of the existent through an examination of the anonymous features of human desire. In grasping the anonymity underlying the “I want,” existential psychoanalysis seeks the meaning of freedom from a standpoint of alterity. I then analyze Fanon's Black Skin White Masks as a work of existential psychoanalysis which hinges on his use of “sociogeny” to diagnose the alienation of Black existents. Finally, I conclude by examining the implications of a Fanonian existential psychoanalysis for anti-racism through a discussion of Michael Monahan's critical reflections on the notion of being nonracist.