Australia’s harsh policy response to asylum seekers appears to be an extreme measure for a country that thinks of itself as a liberal democracy. Confining analyses of this regime to refugee law and policy overlooks the ways that Australia’s colonial history, Indigenous dispossession, and contemporary race relations interact with one another. Th is article argues that these historical dynamics are essential to understanding the Australian government’s response to asylum seekers in the present day, with asylum-seekers and Indigenous peoples in Australia both being utilized as tools of modern statecraft to shore up the legitimacy of the Australian state. Attention is drawn to parallels between the treatment of both Indigenous peoples and asylum seekers by the Australian government, with the increasingly harsh response to asylum seekers in Australian politics coinciding with the expansion of land rights for Indigenous Australians.
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Linking Land and Sea
Intersections between Indigenous Peoples’ Dispossession and Asylum Seekers’ Containment by Australia
Susan Reardon-Smith
Peter Lugosi, Thiago Allis, Marcos Ferreira, Eanne Palacio Leite, Aluizio Pessoa, and Ross Forman
This article examines how migrants create value through food-and hospitality-related enterprises, focusing on the ways in which they exercise their agency in mobilizing various cultural resources and on how their organizational practices intersect with identity work. Drawing on empirical research conducted in São Paulo, Brazil, it explores how specific dishes, knowledge of food, recipes, craft skills, and migration histories are transformed into valued cultural resources in these kinds of enterprises. The article explores three themes: first, how foods become “pliable heritage” through migrants’ identity work; second, how migrants’ ongoing identity work shapes their activities and experiences in food and hospitality businesses; and third, how migrants’ individual identity work is entangled in collective interests and the activities of a wider set of (migrant) stakeholders.
Black October
Comics, Memory, and Cultural Representations of 17 October 1961
Claire Gorrara
Abstract
The brutal police repression of the demonstration of 17 October 1961 stands as a stark reminder of the violence of French colonialism. A continuing official reluctance to acknowledge these traumatic events has led individuals and groups to seek alternative routes for recognition. This article explores one of these alternative routes: the comic book, and specifically Octobre Noir, a collaboration between writer Didier Daeninckx and graphic artist Mako. By analyzing the reframing of 17 October 1961 within the comic form, this article argues that Octobre noir offers a site for interrogating the relationship between history and memory. This is achieved by exchanging a cultural narrative of police brutality and Algerian victimization for a narrative of legitimate protest and Algerian political agency. Octobre noir exemplifies the value of the comic book as a vector of memory able to represent the past in ways that enrich historical analysis and inter disciplinary debate.