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Open access

“Falling down the Rabbit Fuck Hole”

Spectacular Masculinities, Hypersexuality, and the Real in an Online Doping Community

Jesper Andreasson and April Henning

Through hegemonic ideas about muscles and extraordinary performances, image- and performance-enhancing drugs (IPEDs) and their use have been traditionally connected to hypersexualized masculinities. This link has resulted in spectacular ideas and fantasies about what IPEDs can do to/with men regarding their bodies and sexual performance. However, these ideas do not always manifest or correspond with daily life. Using a qualitative and case-study-based approach, this article investigates the relationship between doped and spectacular masculinities as they are presented and constructed in and through an online doping community, and users’ experiences of side effects of the doped body and its social consequences. Analytically, the article draws on Guy Debord’s work on the relationship between the spectacle and the real, and the ongoing theoretical debate on different reconfigurations and redefinitions of doped masculinities. It argues that anticipations of and effects from IPEDs can bring alternative ways of enacting doping masculinity and sexuality in the context of online communication while also blurring the lines between fantasy and lived experience.

Open access

Toward a Politics of “Raw Dicks”

Authenticity, the Alt-Self, and New Understandings of the Phallus

Chris Ashford and Gareth Longstaff


Law arguably shapes contemporary culture and phallic politics. In England and Wales, like much of the Global North, the second half of the twentieth century and early twenty-first century saw a general shift from a criminal legal framework that understood sexuality as sexual acts to a civil law framework that seeks to privilege institutions - notably marriage - and lifestyle as signifiers of sexuality. This article contributes to legal and cultural understandings of the phallus, specifically the “raw dick,” as key to understanding the self-representational spaces of “authentic” and “alt” selves on social media. It situates the “raw dick” as the locus of this cultural, legal, and social exchange in which the legal outlaw of male phallic desire has been incorporated into queer citizenship. We argue that the aesthetics of the alt-self provides us with new and important ways to understand the phallus and its relationship to sex and sexuality.

Open access

Barbara Flueckiger

Although stereoscopic cinema was invented very early in the history of film, it did not become the standard for cinematic representations. With the latest digital wave of stereoscopic 3D cinema many shortcomings of earlier technologies have been eliminated, but debate remains about the aesthetic principles of stereoscopy. This article explores and evaluates basic approaches to aesthetic design in stereoscopic films.