This article explores a key claim underpinning Russian official memory politics, namely, the notion that Russia’s past (and especially the role it played in the Second World War) is the object of a campaign of “historical falsification” aimed at, among other things, undermining Russian sovereignty, especially by distorting young people’s historical consciousness. Although “historical falsification” is an important keyword in the Kremlin’s discourse, it has received little scholarly attention. Via an analysis of official rhetoric and methodological literature aimed at history teachers, I investigate the ideological functions performed by the concept of “historical falsification.” I show how it serves to reinforce a conspiratorial vision of Russia as a nation under siege, while simultaneously justifying the drive toward greater state control over history education.
The Reclaiming of Girls’ Education Discourses in Malala Yousafzai’s Autobiography
The cause of girls’ education in developing countries has received unprecedented attention from international organizations, politicians, transnational corporations, and the media in recent years. Much has been written about the ways in which these seemingly emancipatory campaigns reproduce historical discourses that portray women in former colonies as in need of rescue by the West. However, to date little has been written about the ways in which young women’s and girls’ education activists represent themselves. In this article I analyze I Am Malala, the autobiography of Pakistani girls’ education activist Malala Yousafzai, written for her own age group. Using a feminist, poststructuralist approach to discourse analysis, it considers the way in which Yousafzai negotiates and challenges discourses around young women, Pakistan, and Islam. I conclude that a truly emancipatory understanding of girls’ rights would look not to the words and policies of powerful organizations but, rather, to young women themselves.
The Role of Bodily Integrity
Mar Cabezas and Gottfried Schweiger
Our concern is with the ethical issues related to girlhood and bodily integrity—the right to be free from physical harm and harassment and to experience freedom and security in relation to the body. We defend agency, positive self-relations, and health as basic elements of bodily integrity and we advocate that this normative concept be used as a conceptual tool for the protection of the rights of girls. We assume the capability approach developed by Martha Nussbaum as an ethical framework that enables us to evaluate girls’ well-being and well-becoming in relation to the potential, and often subtle, threats they face. The capability approach can be understood as a theory of justice, and, therefore, as an ethical and political approach. An enriched concept of bodily integrity can help in the design of better policies to address gender biases against girls because it could contribute to seeing them as active agents and valid participants.
Although stereoscopic cinema was invented very early in the history of film, it did not become the standard for cinematic representations. With the latest digital wave of stereoscopic 3D cinema many shortcomings of earlier technologies have been eliminated, but debate remains about the aesthetic principles of stereoscopy. This article explores and evaluates basic approaches to aesthetic design in stereoscopic films.