Browse

You are looking at 1 - 10 of 195 items for :

  • Gender Studies x
Clear All Modify Search
Open access

Steven Roberts and Karla Elliott

Abstract

Raewyn Connell famously theorized hegemonic masculinity, explaining its dominance over femininity and “subordinated” and “marginalized” masculinities. Attending to representations of the latter, we argue that “men in the margin” are commonly wrongly and/or simplistically depicted as regressive and violent in response to their marginalization. Focusing on representations of working-class boys and men, we illustrate the stereotypical treatment of “men in the margin” more broadly, making clear that this goes against Connell's treatment of such men. Conversely, privileged boys and men are commonly held up by critical studies on men and masculinities scholars as paragons of progressive change. The characterization of boys and men in the margin as regressive and patriarchal impedes the ability to address problems like violence, misogyny, and homophobia and overlooks the possibilities for transformation that emerge among marginalized communities.

Free access

Andrew J. Ball

I am pleased to begin the final issue of the year with a very special announcement. Screen Bodies is modifying its editorial direction and the kind of work it will feature. Many of our readers will already have a sense of these changes, made evident by the new Aims and Scope section we made available online earlier this summer, and by the journal's new subtitle, The Journal of Embodiment, Media Arts, and Technology. As these indicate, the foundational commitments of the journal remain unchanged; however, moving forward will we intensify our focus on new media art, technology studies, and the interface of the sciences and the humanities. We will continue to examine the cultural, aesthetic, ethical, and political dimensions of emerging technologies, but with a renewed attention to such areas as intermediality, human–machine interface, virtual and augmented reality, artificial intelligence, generative art, smart environments, immersive and interactive installations, machine learning, biotechnology, computer science, digital culture, and digital humanities. The journal will continue to prioritize matters of the body and screen media, both in terms of representation and engagement, but will emphasize research that critically reexamines those very concepts, as, for example, in the case of object-oriented feminism's nonanthropocentric approach, which asks us to rethink what we mean by bodies and embodiment.

Free access

Introduction

Toward a Queer Sinofuturism

Ari Heinrich, Howard Chiang, and Ta-wei Chi

This special issue on “Queer Sinofuturisms” aims to explore how artists and writers working across various media in Sinophone contexts use science to envision—and indeed to fabulate—non-normative gender and erotic expressions in relation to the corporeal future of humanity. By investigating visions of the future that incorporate queerness and creative applications of computer and biotechnology, “Queer Sinofuturisms” aims to counter pervasive techno-Orientalist discourses, such as those discourses in the Blade Runner movies (Ridley Scott, 1982; and Denis Villeneuve, 2017) that frame “Asian” futures as strictly dystopian—and heteronormative by default. What happens, this issue of Screen Bodies asks, if we simultaneously destabilize techno-Orientalist narratives of the future while queering assumptions about the heteronormativity so often inscribed upon that future in mainstream iterations and embodiments? What kinds of fabulous fabulations might emerge?

Free access

The Men and the Boys, Twenty Years On

Revisiting Raewyn Connell's Pivotal Text

Victoria Cann, Sebastián Madrid, Kopano Ratele, Anna Tarrant, Michael R.M. Ward, and Raewyn Connell

It is twenty years since the publication of Raewyn Connell's highly influential text The Men and the Boys. This book, building on feminist and pro-feminist perspectives of gender formation, was written over a ten-year period from the late 1980s to the late 1990s. It was published five years after the release of the groundbreaking text Masculinities (1995) and tackled multiple issues concerning boys and men. While providing an important platform and summary of where the research from the social science and humanities on men and masculinities stood in the year 2000, the book also contained a theoretical framework for understanding men and masculinities as part of gender relations. Importantly, the future direction of the field was outlined, and suggestions were made as to likely future agendas. These subjects included investigating the implications of globalization and its different characteristics on gender formation, the role of men's bodies, the impact of the media and culture in men's lives, sexuality, education, health, politics, change, violence, and peace. In recent years, questions about the lives and experiences of men and boys continue to raise remarkable media interest, public concern, and controversy on a global scale. Global changes in practices of knowledge have ensured that across the humanities and social sciences, research in the field of masculinities (of all ages) has continued to flourish and expand.

Free access

Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

Free access

Introduction

Bodies, Sexualities, and Masculinities in the Time of Coronavirus

Jonathan A. Allan, Chris Haywood, and Frank G. Karioris

Free access

Andrew J. Ball

Free access

Michael R. M. Ward

Free access

Claudia Mitchell

Full access

Hopeful, Harmless, and Heroic

Figuring the Girl Activist as Global Savior

Jessica K. Taft

Abstract

There has been a notable increase in the public visibility of girl activists in the past ten years. In this article, I analyze media narratives about several individual girl activists to highlight key components of the newly desirable figure of the girl activist. After tracing the expansion of girl power discourses from an emphasis on individual empowerment to the invocation of girls as global saviors, I argue that girls are particularly desirable figures for public consumption because the encoding of girls as symbols of hope helps to resolve public anxieties about the future, while their more radical political views are managed through girlhood's association with harmlessness. Ultimately, the figure of the hopeful and harmless girl activist hero is simultaneously inspirational and demobilizing.