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Bad Custom

The Meanings and Uses of a Legal Concept in Premodern Europe

Anthony Perron

The place and function of custom as a species of law—distinguished from custom as simply polite manners or cherished cultural traditions—has long been a source of research and debate among legal theorists and historians. One school of thought, reflecting the authority of written statute in modern jurisprudence, has relegated custom in a juridical sense to “primitive” societies, whereas proper law belongs to a world of state sovereignty. Other scholars have revisited the continuing validity of custom, including a trenchant body of work on the use (and manipulation) of custom in modern colonial regimes. At the same time, some have seen benefits in the acknowledgment of custom as a source of norms. A 2006 collection of articles, for instance, explored ways in which customary law might serve as a better foundation for the sustainable development of natural resources. As David Bederman has written, “Custom can be a signal strength for any legal system—preliterate or literate, primitive or modern.”

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Introduction

When Was Brexit? Reading Backward to the Present

Antoinette Burton

Abstract

This introductory article lays out the stakes of thinking through the temporalities of Brexit history across multiple fields of vision. It makes the case for books as one archive of Brexit subjects and feelings, and it glosses all the articles in the special issue.

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Introduction

Cultural Heritages and Their Transmission

Elizabeth C. Macknight

This Spring 2021 issue of Historical Reflections/Réflexions Historiques is about cultural heritages and their transmission, focusing on the period from the middle of the eighteenth century to the present. An important stimulus for the creation of the issue was the European Year of Cultural Heritage (EYCH) in 2018. There were four main themes for the EYCH: protection, engagement, sustainability, and innovation. National coordinators and local organizers of events and initiatives across the continent adopted the unifying slogan “Our Heritage. Where the past meets the future.” The articles brought together here serve as an invitation to readers to continue reflecting on subjects and questions that were at the heart of planning for and supporting public participation in EYCH 2018. The European Year of Cultural Heritage provided myriad opportunities to discover the roles played by individuals and groups in the preservation and valorization of natural sites and landscapes, public monuments, cultural institutions, artifacts, digital resources, and intangible cultural heritage. It highlighted educational initiatives to raise awareness of multiple, diverse cultural heritages within communities and to promote intercultural dialogue. It pushed governments and nongovernmental organizations to address matters of financial investment, legal accountability, partnership management, and the shaping of policies on conservation and ownership rights. It challenged professional historians as well as archivists, librarians, archeologists, conservators, and curators to think hard about widening access and about ways of integrating local, national, and international perspectives when communicating with audiences about surviving traces of the past.

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Voices that Matter?

Methods for Historians Attending to the Voices of the Past

Josephine Hoegaerts

Abstract

How do we thoroughly historicize the voice, or integrate it into our historical research, and how do we account for the mundane daily practices of voice … the constant talking, humming, murmuring, whispering, and mumbling that went on offstage, in living rooms, debating clubs, business meetings, and on the streets? Work across the humanities has provided us with approaches to deal with aspects of voices, vocality, and their sounds. This article considers how we can mobilize and adapt such interdisciplinary methods for the study of history. It charts out a practical approach to attend to the history of voices—including unmusical ones—before recording, drawing on insights from the fields of sound studies, musicology, and performativity. It suggests ways to “listen anew” to familiar sources as well as less conventional source material. And it insists on a combination of analytical approaches focusing on vocabulary, bodily practice, and the questionable particularity of sound.

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Introduction

France’s Great War from the Edge

Susan B. Whitney

World War I has been studied extensively by historians of France and for good reason. Waging the first industrial war required mobilizing all of France's resources, whether military, political, economic, cultural, or imperial. Politicians from the left and the right joined forces to govern the country, priests and seminarians were drafted into the army, factories were retooled to produce armaments and other war material, and women and children were enlisted to do their part. So too were colonial subjects. More than 500,000 men from France's empire fought in Europe for the French Army, while another 200,000 colonial subjects labored in France's wartime workplaces. The human losses were staggering and the political, economic, and cultural reverberations long-lasting, both in the metropole and in the colonies. More than 1.3 million French soldiers and an estimated 71,000 colonial soldiers lost their lives, leaving behind approximately 1.1 million war orphans and 600,000 war widows.

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Policing the French Empire

Colonial Law Enforcement and the Search for Racial-Territorial Hegemony

Samuel Kalman

Commenting on the colonial setting in its twilight during the Algerian War of Independence, Frantz Fanon famously observed: “Le travail du colon est de rendre impossible jusqu'aux rêves de liberté du colonisé. Le travail du colonisé est d'imaginer toutes les combinaisons éventuelles pour anéantir le colon (the task of the colonizer is to make impossible even the dreams of liberty of the colonized. The task of the colonized is to conceive of every possible strategy to wipe out the colonizer).”

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Introduction to “Sex across the Ages: Restoring Intergenerational Dynamics to Queer History”

Nicholas L. Syrett

Abstract

The introduction situates the historiography on queer intergenerational sex in the realm of scholarship on queer history, the history of childhood, and the literature on the significance of chronological age. It lays out three broad schemas that have organized queer intergenerational sex—looking at it as a phallic economy where boys submitted to older men in ways that were akin to women; as a function of pederastic or pedophilic desires; and as abuse—and also explores the overlap and permutations among these categories. It then introduces the six articles in this forum, elucidating their central arguments and the contributions that they make to this dynamic field.

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Introduction

W. Brian Newsome

At the 2017 Annual Meeting of the Society for French Historical Studies, Willa Silverman and Kyri Claflin delivered presentations for a session entitled “Eating and Edifying: Perspectives on the Culinary History of the Third Republic.” Chaired by Janet Horne and with commentary by Paul Freedman, the panel offered innovative perspectives on French food history. Refined in response to Freedman’s suggestions, the contributions of Silverman and Claflin form the nucleus of the present forum. Michael Garval has joined Silverman and Claflin with an article of his own, and all three have benefited from the recommendations of two double-blind peer reviewers. The finished product—now two years in the making—is one that Historical Reflections/Réflexions Historiques is pleased to present to its readers.

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Introduction

What Is Old Is New Again

Jeff Horn

Through a variety of disciplinary lenses, this innovative forum, coedited with Victoria Thompson, investigates a particular cultural space and time, namely the emergence of proto–roller coasters known as montagnes russes or “Russian mountains” in Paris in 1817. Peggy Davis, Sun-Young Park, and Christine Haynes depict the early years of the Restoration (1814/1815–1830) as a liminal moment in the emergence of modernity. Although this forum began as a panel at the 2017 Annual Meeting of the Society for French Historical Studies, the authors have extended and improved their pieces significantly. Taken together, they show that as foreigners flocked to Paris and the French adjusted to diminished circumstances in the aftermath of Napoleon’s second defeat, identities were in flux. This forum explores how and why the montagnes russes became such a cultural phenomenon and suggests their role in forging a new French identity in the wake of war and revolution.

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Dedication

Elizabeth Macknight, Brian Newsome, and Vivian Berghahn