The term “elite” was introduced in the seventeenth century to describe commodities of an exceptional standard and the usage was later extended to designate social groups at the apex of societies. The study of these groups was established as part of the social sciences in the late nineteenth century, mainly as a result of the work of three sociologists: Vilfredo Pareto, Gaetano Mosca and Roberto Michels. The core of their doctrine is that at the top of every society lies, inevitably, a small minority which holds power, controls the key resources and makes the major decisions. Since then, the concept of elite(s) has been used in several disciplines such as anthropology, history or political science, but not necessarily in reference to this “classical elite theory.” The concept is strongly rejected, however, by many “progressive” scholars—precisely because of its elitist denotation.
Few scholars today question the binary relationship between imperialism and violence, and French historians are no exception. In recent years, a multitude of studies have appeared concerning the violence inherent in the conquest of the nineteenth-century Gallic empire, the maintenance and defense of the colonial system, and the decolonization process—massacres and torture during the Algerian War, for example. Such works often reflect Etienne Balibar’s definition of “structural violence”: an essential component of a repressive system, maintaining unequal social relations while defending “the interests, power positions, and forms of social domination.”1 This hegemony took various guises at different times throughout the history of French imperialism, operating in tandem with assaults on the indigènes (the term adopted by the authorities for natives). It could involve surveillance and intelligence gathering, security forces, and judicial-penal institutions employed to harass and control the colonized. Yet it also resulted from the forced pacification of native peoples (Alice Conklin refers to this policy as an “act of state-sanctioned violence”) and the imposition of the indigénat—the loose collection of rules that granted extraordinary police and disciplinary powers to the colonial administration, along with the imposition of forced labor and taxation.2 The ultimate defense of this system, and indeed its brutal apogee, emerged during the wars of decolonization, in which tens of thousands of the colonized were killed in Algeria and Indochina, while countless others were subjected to torture and incarceration.
Linda E. Mitchell
This first issue of the second decade of the twenty-first century launches a new occasional series for Historical Refl ections/Réfl exions Historiques: “Historians Reflecting on History and Historical Writing.” The mission of the journal makes this topic particularly appropriate.
The politics of French and German cinema between the onset of the Great Depression and the end of World War II is far from a new topic of study. However, scholars have typically focused on one country or the other, rather than comparing the two, and prioritized high-profile directors (for example, Jean Renoir, Jean-Paul Le Chanois, Leni Riefenstahl, and Veit Harlan) whose work benefited from direct party sponsorship and served a clearly propagandistic function. Reflecting the evolution of cultural history and film studies over the past decade, this collection of essays seeks to enrich the traditional approach in three ways. The first is by expanding the definition of politics beyond official party or state discourse to include power-related issues such as representation of gender and gender roles; access to material resources including funding and technology; relationships between film creators and industry or government officials; and competition between commercial and ideological priorities in film production, censorship, and distribution.
Resistance is troubling. In an ideal community, all parts fit together, with citizens and government smoothly and agreeably regulating each other. To resist such an ideal community would appear perverse. Of course, most communities are not ideally constructed, in which case adding some “friction” may do “enough good to counterbalance the evil” inherent in communal machines, as Henry David Thoreau thought—unless the machine in question were so evil, as Thoreau believed was the case in slaveholding America, that the maximal friction of revolt and rebellion was demanded.
A Political Symbol in Comparative and Historical Perspective
The headscarf has become a cultural flashpoint, a freighted symbol of many of the central social, cultural, political, and religious tensions of this first decade of the twenty-first century. When I first began to research the French controversy surrounding the Muslim headscarf in 2001, it was little known in the United States. Since then, the issue has attained global prominence. In late 2003, the Stasi Commission, which Prime Minister Jacques Chirac had appointed several months earlier, recommended a ban on wearing the Muslim headscarf in public primary and secondary schools.1 The legislature promptly passed such a ban, which became law on 15 March 2004.2 Since then, Germany, Turkey, and Britain, among other countries, have wrestled with their own headscarf controversies. The debate reached international proportions when the European Court of Human Rights upheld Turkey’s ban on the headscarf in universities, in the 2005 case of Sahin v. Turkey.
New Perspectives on the Politics of the Third Republic
Linda E. Mitchell
The articles in this issue all reflect on the various ways in which political trends during the period of the Third Republic have been categorized by both historians of the period and the political actors themselves. Ranging in topic from political trends in the French military in the years after the Dreyfus Affair to the participation of women in the politics of the extreme Right, these pieces focus especially on the need to transcend categories of Left and Right in order to discuss more accurately the ways in which the political party system developed, in particular during the years between the world wars.
The Ambiguities of Colonial and Post-Colonial Sentiment
Matt Matsuda and Alice Bullard
A collection of essays dedicated to the history of sentiment and emotions in the constitution of imperial and colonial projects. Subjects range from eighteenth-century marriage and military careers, to ethnically mixed couples during the Great War, to contemporary "arranged marriage" television programs in Madagascar. The collection also traces constructions of nineteenth and twentieth-century female slavery in Morocco, and meditations on family rooted and professional contexts in Laos and New Caledonia, complicating links between personal experience and historiographic knowledge. A closing essay draws together many of the themes with a detailed reading of key texts in colonial and postcolonial psychiatry.