Politics and Power After the 2017 Bundestag Election
Sercan Çınar and Francisca de Haan
Comics, Memory, and Cultural Representations of 17 October 1961
The brutal police repression of the demonstration of 17 October 1961 stands as a stark reminder of the violence of French colonialism. A continuing official reluctance to acknowledge these traumatic events has led individuals and groups to seek alternative routes for recognition. This article explores one of these alternative routes: the comic book, and specifically Octobre Noir, a collaboration between writer Didier Daeninckx and graphic artist Mako. By analyzing the reframing of 17 October 1961 within the comic form, this article argues that Octobre noir offers a site for interrogating the relationship between history and memory. This is achieved by exchanging a cultural narrative of police brutality and Algerian victimization for a narrative of legitimate protest and Algerian political agency. Octobre noir exemplifies the value of the comic book as a vector of memory able to represent the past in ways that enrich historical analysis and inter disciplinary debate.
Edited by Raili Marling
Mobility Studies, a Transdisciplinary Field
A Message from Senior Editor Linda E. Mitchell
Edited by Linda E. Mitchell
The elections for the German Bundestag on 24 September 2017 saw heavy losses for the two governing parties—the Christian Democratic Union (cdu) and the Social Democratic Party (spd)—and the rise of the right-populist Alternative for Germany (AfD). It took almost six months for a new grand coalition to be formed in light of the extremely fragmented parliament. Despite the good economic situation and relative calm domestically and internationally, much change is occurring under the surface. Most importantly, the country is preparing for the end of Chancellor Angela Merkel’s long tenure. Who and what will come next? Can the surging AfD be contained? Will Germany step up into the leadership role for which so many have called?
History, Violence, and Steven Pinker
Mark S. Micale and Philip Dwyer
Autonomous Driving and the Transformation of Car Cultures
Jutta Weber and Fabian Kröger
This special section on “Degendering the Driver” explores how gender intervenes in the potential shift from a driver-centered to a driverless car culture. It focuses on representations of imagined futures—prototypes, media images, and popular discourses of driverless cars. Following the tradition of feminist cultural studies of technoscience, we ask in our introduction how these new techno-imaginaries of autonomous driving are gendered and racialized. We aim to explore if the future user of an autonomous car is gendered or degendered in the current media discourse. The four articles explore what kinds of images are used, what promises are made, and how the discourse about autonomous driving is influenced by gendered norms. Some authors emphasize that self-driving vehicles could encourage pluralized forms of masculinity. Nonetheless, all authors conclude that driverless cars alone will not degender the driver but rather encourage a multiplication of gendered and racialized technologies of mobility.